Hilary Pecis (b. 1979, Fullerton, California) makes paintings and drawings in which tableaus rich with interlocking fields of saturated color, geometric patterning, and bold linework provide views of sun-drenched domestic still lifes and landscape environments. Books crowding a coffee table, the remains of a dinner party, and terrains lush with Southern California succulents make frequent appearances in her work; these meticulously arranged interiors and vibrantly rendered exteriors amount to an overarching portrait of the self that identifies objects and locations as signifiers for human characteristics. Pecis combines distorted perspectives and surprising juxtapositions of hue, placing her work in dialogue with modernist art historical movements like Fauvism in which subjective and analytical tendencies are synthesized. At the same time, her interest in images sourced from her personal experience allows her to transform recognizable mise-en-scènes into vivid explorations that celebrate the quiet moments of everyday life.
Pecis has recently been the subject of solo exhibitions at Rockefeller Center, New York (2021); Timothy Taylor Gallery, London (2021); Spurs Gallery, Beijing (2020); Rachel Uffner Gallery, New York (2020); and Crisp-Ellert Art Museum, Flagler College, St. Augustine, Florida (2019). Recent group exhibitions include Present Generations: Creating the Scantland Collection of the Columbus Museum of Art, Columbus Museum of Art, Ohio (2021); The Beatitudes of Malibu, David Kordansky Gallery, Los Angeles (2021); FEEDBACK, Jack Shainman School, Kinderhook, New York (2021); L.A.: Views, Maki Gallery, Tokyo (2020); High Voltage, The Nassima-Landau Project, Tel Aviv, Israel (2020); and (Nothing but) Flowers, Karma, New York (2020). Her work is in the permanent collections of institutions including the National Gallery of Art, Washington, D.C.; Museum of Contemporary Art, Los Angeles; Aïshti Foundation, Beirut; and Yuz Museum, Shanghai. Pecis lives and works in Los Angeles.